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Samuel Ricke

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus IV.

Samuel Ricke

2:20	Est. Play Time
44	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		25	14	9	9	99%
		24	0	9	7	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		25	14	9	9	99%
		24	0	9	7	100%
Continuo.		24	0	9	7	100%
Tenore.		18	0	7	6	100%
Soprano.		18	0	7	5	98%
Bass		21	0	7	6	93%
Violone.		21	0	8	7	93%
Alto		11	0	5	6	52%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	24	6	9	98%
		28	0	9	4	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		23	24	6	9	98%
		28	0	9	4	100%
Violoncello.		28	0	9	3	100%
Violone.		28	0	9	3	100%
Cornetto.		13	0	4	8	89%
Soprano.		13	0	4	6	89%
Alto.		14	0	5	7	83%
Trombone I.		14	0	5	6	83%

Requiem in D Minor, K. 626, III. Sequentia: Rex Tremendae By W. A. Mozart

Samuel Ricke

2:26	Est. Play Time
22	Measures
	1,069Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		42	60	13	8	100%
Viola.		21	1	7	5	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		42	60	13	8	100%
Viola.		21	1	7	5	100%
Violino I.		25	4	6	5	100%
Violino II.		24	4	7	5	100%
Violoncello, Basso ed Organo.		34	0	11	6	100%
Trombone I.		11	0	2	8	88%
Trombone II.		13	0	3	5	88%
Trombone III.		14	0	2	8	88%
Alto.		10	0	2	9	86%
Basso.		13	0	2	8	86%
Soprano.		12	0	3	8	86%
Tenore.		11	0	3	8	86%
Corni di Bassetto in F.		16	1	4	8	78%
Fagotti.		18	0	5	8	75%
Timpani in D.A.		4	0	0	6	48%
Trombe in D.		4	3	0	6	42%

Handel: Messiah, HWV 56: Part II. "Hallelujah Chorus"

Samuel Ricke

3:28	Est. Play Time
94	Measures
	2,567Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	41	3	8	95%
		20	8	2	8	100%
Bassoon		20	0	2	8	100%
Violoncellos		21	0	2	8	100%
Violas		16	0	2	8	99%
Violins		20	0	1	8	98%
		21	0	3	8	96%
Contrabasses		17	0	2	8	98%
Tenor		13	0	1	8	96%
Bass		14	0	2	8	95%
Contralto		13	0	2	8	91%
Oboe		12	0	0	8	88%
Soprano		12	0	0	8	88%
D Trumpet		11	1	1	8	73%
Timpani		2	0	0	8	50%

Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie

Samuel Ricke

6:41	Est. Play Time
70	Measures
	2,953Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
View all 21 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	78	8	8	100%
		22	0	8	5	100%
Bassi ed Organo.		22	1	8	5	100%
Contrabasso.		22	1	8	5	100%
Fagotto.		22	1	8	5	100%
Violino II.		29	0	10	8	100%
Violino I.		29	0	10	9	99%
Alto.		10	0	2	4	7%
		14	0	5	7	80%
Soprano.		16	0	5	9	76%
		6	0	1	4	4%
Trombone I.		13	0	4	7	74%
Basso.		3	0	1	3	4%
		17	0	7	8	73%
Tenore.		8	0	2	4	7%
		13	0	3	7	70%
Clarini in C.		8	8	1	6	70%
Trombone III.		17	0	7	8	67%
Trombone II.		13	0	3	7	64%
Trombe in C.		4	2	0	5	55%
Timpani in C.G.		3	0	0	5	49%

Mozart: Symphony No. 40 in G Minor, K. 550: I. "Molto Allegro"

Samuel Ricke

8:24	Est. Play Time
299	Measures
	4,393Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		34	11	15	8	97%
Violino II.		31	24	15	7	96%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		34	11	15	8	97%
Violino II.		31	24	15	7	96%
Violoncello.		29	0	13	6	90%
Viola.		28	44	11	6	90%
Contrabasso.		29	0	13	6	89%
Fagotti.		27	40	12	7	84%
Oboi.		27	52	12	8	62%
		27	60	12	8	77%
Clarinetti in B.		23	47	7	7	72%
Flauto.		21	0	7	8	69%
Corno in B.		6	0	0	6	44%
Corno in G.		7	0	2	6	37%

Mozart: "Maurerische Trauermusik", K. 477

Samuel Ricke

3:36	Est. Play Time
69	Measures
	1,115Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi		22	34	7	6	92%
Violino I.		28	1	10	12	90%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboi		22	34	7	6	92%
Violino I.		28	1	10	12	90%
Contrabasso		19	0	6	6	88%
Violoncello.		19	0	6	6	88%
Violino II.		19	12	7	9	87%
Viola.		21	16	7	7	87%
Clarinetti in B.		11	0	0	5	75%
Corni di Bassetto.		7	0	0	6	72%
		19	0	5	7	71%
		16	0	4	7	72%
Corno in E.		10	0	0	6	72%
Granfagotto.		15	0	3	7	68%
Corno in C.		6	0	0	6	58%

Requiem in D Minor, K. 626, IV. Offertorium: Hostias By W. A. Mozart

Samuel Ricke

4:38	Est. Play Time
89	Measures
	2,227Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		32	0	15	7	100%
Violino II.		30	0	13	5	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		32	0	15	7	100%
Violino II.		30	0	13	5	100%
Organo		48	124	22	8	99%
Violoncello, Basso ed Organo.		42	0	19	5	99%
Viola.		23	0	10	6	99%
Tenore.		14	0	5	8	92%
Alto.		15	0	7	8	90%
Basso.		22	0	9	8	89%
Soprano.		18	0	7	8	87%
Fagotti.		29	1	11	8	79%
Corni di Bassetto in F.		21	0	9	8	71%
Trombone II.		13	0	4	6	34%
Trombone I.		15	0	6	7	31%
Trombone III.		17	0	6	6	30%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
View all 32 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		14	14	2	5	20%
		21	52	9	8	96%
		14	0	0	3	12%
		26	0	11	7	94%
Violone.		14	0	0	3	12%
		26	0	11	7	94%
Continuo.		26	0	11	7	94%
Tenore.		19	0	7	6	71%
		10	0	1	3	12%
Viola.		20	0	6	7	63%
		7	0	0	3	12%
Violino I.		20	0	6	6	63%
		13	0	0	3	12%
Violino II.		10	0	2	3	12%
		18	0	5	6	63%
Basso.		12	0	0	3	12%
		19	0	6	5	61%
Alto.		12	0	4	4	35%
		7	0	0	3	12%
Fagotto.		14	0	0	4	12%
		24	0	8	5	35%
Oboe I.		8	0	1	3	12%
		14	0	4	5	35%
Oboe II.		16	0	4	4	35%
		12	0	2	3	12%
Soprano.		7	0	1	3	12%
		14	0	4	5	35%
Flauto traverso I.		19	0	7	4	33%
		14	0	0	3	12%
Flauto traverso II.		19	0	7	4	33%
		14	0	0	3	12%
Organo e Continuo.		14	0	0	3	12%

Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"

Samuel Ricke

18:36	Est. Play Time
161	Measures
	2,004Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		24	0	9	7	95%
Violino II.		24	12	10	9	93%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		24	0	9	7	95%
Violino II.		24	12	10	9	93%
Viola.		24	8	8	8	92%
Violino I.		32	2	17	11	89%
Basso.		24	0	9	6	76%
Fagotti.		23	34	9	8	59%
Clarinetti in B.		26	45	8	8	58%
Corni in Es.		11	8	1	5	50%
Flauto.		22	0	9	7	41%

Requiem in D Minor, K. 626, I. Introitus: Requiem Aeternam By W. A. Mozart

Samuel Ricke

6:01	Est. Play Time
48	Measures
	3,527Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		25	0	8	7	100%
Violino II.		32	5	13	7	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		25	0	8	7	100%
Violino II.		32	5	13	7	100%
Violoncello, Basso ed Organo.		37	0	15	8	100%
Violino I.		31	3	12	7	98%
Fagotti.		23	4	8	10	89%
Pipe Organ		31	76	12	8	82%
Corni di Bassetto in F.		21	0	8	7	78%
Soprano.		16	0	4	6	75%
Trombone I.		14	0	5	6	73%
Trombone III.		17	0	5	8	73%
Basso.		17	0	5	8	71%
Trombone II.		17	0	5	6	71%
Alto.		14	0	5	6	69%
Tenore.		17	0	5	6	69%
Trombe in D.		4	3	0	7	20%
Timpani in D. A.		2	0	0	7	19%

Mozart: Symphony No. 40 in G Minor, K. 550: IV. "Allegro Assai"

Samuel Ricke

9:04	Est. Play Time
312	Measures
	3,861Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		35	13	19	9	94%
Viola.		28	0	15	7	93%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		35	13	19	9	94%
Viola.		28	0	15	7	93%
Violino II.		32	21	15	6	91%
Violoncello.		29	0	15	6	85%
Contrabasso.		27	0	15	6	83%
Fagotti.		30	55	18	6	80%
Oboi.		25	58	16	6	69%
		26	60	17	7	79%
Clarinetti in B.		24	52	9	7	77%
Flauto.		25	0	15	6	69%
Corno in B.		8	0	0	6	48%
Corno in G.		7	0	0	4	40%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		26	58	10	8	96%
		29	0	10	6	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		26	58	10	8	96%
		29	0	10	6	100%
Continuo.		29	0	10	6	100%
Viola I.		18	0	7	7	98%
Viola II.		17	0	6	7	98%
Violino I.		23	0	9	6	98%
Violino II.		20	0	6	7	98%
Violone.		28	0	9	6	97%
Alto.		18	0	7	7	96%
Trombone I.		18	0	7	7	96%
Tenore.		17	0	6	7	95%
Trombone II.		17	0	6	7	95%
Basso.		23	0	9	6	90%
Trombone III.		23	0	9	6	89%
Cornetto.		16	0	6	6	65%
Soprano.		16	0	6	5	65%

Mozart: Symphony No. 39 in E♭ Major, K. 543: I. "Adagio - Allegro"

Samuel Ricke

13:27	Est. Play Time
309	Measures
	4,497Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		28	0	11	7	94%
Violino I.		33	23	13	9	92%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		28	0	11	7	94%
Violino I.		33	23	13	9	92%
Violoncello.		28	0	11	7	92%
Violino II.		33	29	13	9	88%
Viola.		30	27	11	8	86%
Clarinetti in B.		28	72	10	9	77%
Fagotti.		27	51	9	8	73%
Flauto.		26	0	10	9	68%
Corni in Es.		10	16	0	9	68%
Trombe in Es.		9	14	0	8	58%
Timpani in Es. B.		2	0	0	7	41%

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